Home Garden

How to Do Veining on Walls With a Feather

Veining with a feather is done between the base coats and the final glaze when creating a faux marble finish. Study real marble to understand how the darker veins rise through the translucent marble to create the subdued shades that cumulate in the dark veins. The light veins generally are more dramatic and rise suddenly as the dark translucent stone yields to the lighter color variation. Natural marble veins can be either translucent or opaque, light or dark, and a single stone can have a combination of all of these.

Things You'll Need

  • Feather
  • Paint
  • Soft, dry brush for feathering
Show More

Instructions

  1. Dark Veins

    • 1

      Prepare the surface by painting the base coat and colors. To get the color variations, apply dark glaze with fabric or plastic over a light base coat.

    • 2
      Natural marble shows dark veins.

      Outline dark veins using a feather. Dip the feather into the darkest shade of glaze, shake off the excess paint, and use the tip to outline the darkest sections of the base coat. Draw the veins up and out from darker to lighter areas. Tilt the feather as you paint to make wider sections of dark color.

    • 3

      Draw a soft dry brush across the wet paint to feather the color out and create an illusion of layering. Leave some veins well defined, as surface veins naturally appear. Draw the color out further from others to create subtle shading.

    Light Veins

    • 4

      Prepare the surface by painting the base coat and colors. Create the color variations with dark glaze over a light base coat. Keep in mind that you will be creating the veins with the light base coat.

    • 5

      Use the light base coat color to create light veins. Light veins are more dramatic as the darker colors do not allow the lighter shades to gently merge into subtle color tones the way the translucent lighter colors allow the darker veins to blend into view.

    • 6
      Light veins can be dramatic.

      Feather with the dry brush, but do not draw the color out as far as with the darker veins. In natural stone, the darker color does not allow the depth and variations of color that usually occurs when the darker veins are viewed through the lighter translucent tones.