Stools and benches were the most widely used seating pieces in the Gothic era's 1100s. If a chair existed in a Gothic manor, it was rectangular, with a low back and legs continuing up to the arms. It may also have been circular, with the back encircling the seat and placed at the same height as the arm rests. The chairs were made of rough-hewn oak and reflected a simpler Gothic design.
Seating advanced in the 13th century with chair seats in a polygonal shape. They were covered with tooled leather upholstery and stuffed with horsehair. Some chairs had the Emperor shape, with wood criss-crossing in an x-shape to form a central seat. The wood was usually oak and roughly hewn. No ornamentation was added.
By the 14th century, chairs began to be used more frequently. They were heavier and larger than their predecessors, and some had canopies covered in brightly colored fabrics to evoke royal thrones. The architectural influences of tracery, pointed arches and intricately carved human figures and flowers began to appear as carvings on the chairs. It is this era of the Gothic period that became popular in the revivalist periods. The Coronation Chair of King Edward I (1296-1300), found in Westminster Abbey, is an example of the transition of Gothic chair styles. Solidly built, it features a gabled back flanked by two pinnacles. Under the seat and viewed through two quatrefoils on each side panel is the Biblical Coronation Stone.
In the 1700s, the Gothic period returned in furniture design in England, and by the early 1900s was popular in the United States. Victorian chairs were ornately carved, echoing the intricacy of the original Gothic period. The style has reappeared in the 21st century and oversized, ornate and heavily carved chairs are once again seen in homes. Original oak has given way to laminates and veneers, and the carving is more rudimentary and without the hand-carved touch.